Mommy Grace  

Wednesday, October 14, 2009

Cover of "Mommy Guilt: Learn to Worry Les...Cover via Amazon

Mommy Grace: Erasing Your Mommy Guilt

By Sheila Schuller Coleman, 2009

You should know

I don't have kids, I don't plan on having kids any time soon, and yet, given my personality, I already have plenty of preemptive Mommy Guilt, thank you.

This is another book from LibraryThing's Early Reviewers program.

So?

This book is written with a very strong Christian perspective, which is a great thing for some readers and a deal-breaker for others. So I want to get that out of the way from the beginning.

Now, here is where I have a small problem with it.

I know the message is, "When you are overwhlemd and feeling guilty, turn your anxiety over to God and know that you are doing your best and the Lord will provide." Which is a very nice message.

But the danger of it is the potential for the reader to draw this corrollary: "If you remain overwhelmed and feeling guilty, you must be a bad Christian." Which, of course, will almost certainly increase anxiety and guilt in anyone interested in being a Good Christian (whatever that means to the person in question... I'm not about to debate theology here).

Now, that aside, the book has some cute anecdotes along the lines of, "I'm not perfect, but my kids turned out well," which is nice and encouraging, and each chapter ends with Bible verses, prayers, and meditations, which is nice if you're into that, but since I don't have kids I kind of just skimmed them.

Rating

Great for the right audience
The brief write-up above should already give you a sense of whether you are that audience. I may find this book to be very useful in several years, but for now, I may just pass it on to a friend (who is probably reading this... if so, let me know if you want it. You know who you are).

The rest of the Internet

The author's father, Robert Schuller of Crystal Cathedral, talks about the book.
The book's LibraryThing page.
Carine Nadel at The Orange County Register speaks highly of the book and quotes the author at length.
Angie at Ministry and a Mission highly recommends the book.
Bearer of the Blob at Slimequeen was pleasantly surprised by the book.
Michelle Lynn at Michelle Lynne's Life Thoughts puts the lessons of the book to use in her own life.

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Slow Reading  

Wednesday, September 30, 2009

Birthday bookpile

Slow Reading

by John Miedema, 2009

You should know

This is another book I got from LibraryThing's Early Reviewer program.

I tend to be a pretty fast reader.

So?

This book is actually a series of four essays that were written toward the author's Master's degree. His premise is that reading slowly allows one to consider the book in question slowly, and absorb its content more easily.

Slow reading is traced back to biblical metaphors in which prophets and apostles are instructed to eat books. The author also notes that even when slow, close reading is promoted, it's in a somewhat elitist, academic way, not mentioning that a close read of a good book can, in fact, be quite pleasant.

The author also goes on about how the Internet is training us to scan what we read, rather than to absorb it. This is actually not a bad point, but unfortunately, the text of the book is academic enough that I repeatedly found myself scanning it, not absorbing it. If you want to convince me to read in more depth, write something I want to read in more depth.

I really don't like how the citations are done in this book. I typically appreciate footnotes and end notes, but there were cases where I was curious as to a source that was being cited, only to have a hard time finding it in the end-notes (and, in one case, noting that a cited author's name was misspelled).

To elaborate, when another writer or scholar's work is cite, the author merely gives the last name and page number; it is up to the reader to go to the end-notes and find out who, for example, "Pike" is, what book page 161 falls in, and why, exactly, we should care. I grant you that this method slowed my reading of the book, but the only deep thinking it inspired was how annoyed I was at not knowing who on earth he was referencing.

Don't tell me, "According to Smith (150)..." There are millions of Smiths and I don't see why I should take any of them seriously. Tell me, "According to Jane Smith, Head of Whatever Studies at Random University..." OK, the lady's an expert. Now you've got my attention.

Also, the manuscript could have done with one more edit. After all, on page 25, he notes:
Schillingsburg (2006) observes that 99% accuracy in scanning means an error in every 100 letters, spaces and punctuation marks. "Would we be fatally injured if the word was 'celebrate' not 'celibate' or if the word 'no' is occasionally left out" (21)? Yes, I think. A single typo on a resume will cost an applicant a chance at a job interview.

Typo karma. I'm not immune; there's no doubt in my mind that there's at least one typo in this review. But no one is being paid to read this before it goes live. And someone should have check that when he cites, for instance, "Gaiman, 2008," the endnote doesn't refer to "Gainman, N. (2008). The results of free. Retrieved from http://journal.neilgaiman.com/2008/07/results-of-free.html." Emphasis mine. If you're wondering, the correct spelling is "Gaiman".

Rating

Skip it, most likely...
It's got some interesting thoughts, but unless this is specifically your area of interest, you're probably not going to get a lot out of it.

The rest of the Internet

The Wikipedia page for the concept of slow reading.
The author's blog.
The author's page and book's page on LibraryThing.
The book is reviewed at Library Alchemy.
Mary at the 999 Challenge reviews the book.



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Up  

Thursday, June 11, 2009

Cover of "Up (Single Disc Widescreen)"Cover of Up (Single Disc Widescreen)

2009, in theaters

You should know

You know, I still haven't seen Wall-E.

Sorry. Look, everyone knows that Pixar is basically Midas without, you know, the bit where it turns its dinner and children to gold. But seriously, everything else they touch is pure gold.
So Dan really wanted to see Up, and I'll admit, I did too, so it didn't take much convincing.

[Confidential to Dan: I still owe you that drink...]

So?

I suppose it's not a spoiler to tell you the basic premise of the story: Carl Fredricksen, as a small child, loved watching news reels about his favorite explorer, Charles Muntz, who traveled the world with his dogs, finding rare species in the farthest reaches of unexplored continents (yes, yes, imperialism. Carl was like 6 at this point). One day he meets a little girl named Ellie who just may be a bigger fan of Muntz than Carl is... and who wants nothing more than to fix up her dilapidated "club house" and perch it atop Paradise Falls in Venezuela.
So naturally, the two of them grow up, get married, and plan on traveling the world and/or having a whole mess of kids. But real life taps out their vacation fund (a broken leg, a leaky roof) and halts their family plans (a very subtle, heart-wrenching suggestion that Ellie miscarried had me going "This is a kids' movie?!"). So the two of them find surrogate family and surrogate adventure working at the local zoo, she in the bird house and he at the balloon cart.

And just when they've finally saved up enough for Carl to buy two tickets to Venezuela... Ellie takes sick and passes away. Carl finds solace in the house that he and Ellie lovingly refurbished and furnished with photographs, keepsakes, and a sweetly aspirational shrine to Paradise Falls, and settles into a sad, but comfortable, widowerhood spent good-naturedly telling the kids to get off his lawn -- particularly overly-enthusiastic Russell, a Wilderness Explorer (think Boy Scout without the copyright and trademark issues) who wants nothing more than to help Carl across the street, earn the last merit badge needed for his promotion to "Senior Wilderness Explorer" and maybe -- just maybe -- impress his absentee dad.

Then, the city tries to buy and demolish his house so that they can build on the block. Carl is having none of that.

This may be Pixar, but it's still Disney, so we know where it's going from here, at least in terms of Carl and Russell.

Anyway, blah, blah, Carl escapes by tying an insane number of helium balloons to his house, Russell stows aboard, they meet a talking dog, you've seen the commercials. The adventure is amazing, don't get me wrong, but it's so good largely because the writers make us really care about Carl, Russell, et al. Add some hysterical dialog courtesy of the talking dogs, and a really spectacular old-man fight, and you've got what *may* be the movie of the summer.

It's early yet, I know, so let's see if anything coming up can jump the high bar.

Rating

See it
You could probably say that about most, if not all, Pixar fare, but there's a good reason for that. Just remember: cartoon or no, it's still rated PG, so be mindful before taking your youngest little ones.

The rest of the Internet

Beware of spoilers!
Comic commentary at Medium Large.
Dana Stevens at Slate gives an enthusiastically positive review.
Zach Oat at Television Without Pity has figured out the Pixar formula.
The IMDb page.
Amazing reviews at Rotten Tomatoes.
The Wikipedia page.
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Star Trek  

Wednesday, June 03, 2009

Starfleet Command symbol.Image via Wikipedia

Star Trek

2009, in theaters

You should know

Now, I'm not a huge Trekkie (Trekker?).  I've watched Star Trek off and on in its various incarnations since I was old enough to realize the guy from Reading Rainbow was also on TNG.

But Brian and I had heard really good things about the movie, so we grabbed a quick dinner and then headed to the theater.

So?

Please keep a few things in mind before we debate over whether this is "real" Star Trek.

First of all, time travel, particularly time travel with really inconsistent rules, is canon, as are parallel universes that may or may not be caused by time travel.

 Second of all, even the canon historically has very little regard for continuity.  So even the things that just seem wrong are, in fact, in keeping with those two points.

So the movie was a total reboot of the original series, spun as an alternate universe story so that nothing that has come before will be contradicted.

I didn't particularly buy that our favorite bridge crew were all in the same class at the academy, but the writers wanked things enough to at least account for the age discrepancies -- Kirk was an aimless ne'er-do-well until his mid-twenties; McCoy joined the academy as a doctor, rather than attending Starfleet Medical; Chekov was a child prodigy (which means Wesley Crusher isn't all that special after all, which is nice); and so on.

Now, there are spoilers ahead, so go ahead and skip the next bit. 





I really had a bit of a problem with the fact that the only female main character was only on the Enterprise because she was sleeping with her professor.  I mean, I guess she might not have been at that point, but when Spock made a comment to Uhura about avoiding favoritism, and she overruled him... if they weren't sleeping together by that point, they were both certianly considering it.

There's already been plenty of controversy about whether  Kirk would/should/could ever have been made captain of the Enterprise after all that, but my attitude is... he's James T. Kirk.  He can do whatever he wants and Starfleet will kiss his feet for doing it.  Even when he got court marshalled and demoted that one time, all they did was make him captain of the Enterprise again, which really was all he wanted all along.

Then there were the two Spocks.  Spock Prime (as he's credited) came accross less as "I am Spock, come back in time to save the universe," and more "I am Leonard Nimoy, and how cool is it that I get to do this one more time?!"  Meanwhile, young Spock was awesome, but there were a few fleeting moments when he stopped being Spock and started being Sylar.  And while it would have been pretty cool to see Spock telepathically open up Kirk's skull... that wasn't the movie I was there to see.





Ok, that's all the spoilers.  Anyway, there's plenty to nitpick, but overall, if you keep my original two points in mind, you'll be able to have a good time watching this very entertaining movie.

Rating

See it... if you haven't yet
OK, most likely, if you were planning on seeing it in theaters, you have by now.  But if you're still on the fence, because it's Star Trek and you're not into Star Trek... get over it and go see the movie.  I'm not going to say it's the best film of the summer (see my next post for that), but I will say that this summer's action offerings have a lot to live up to.

The rest of the Internet


Beware of spoilers...
The IMDb page.
Excellent reviews at Rotten Tomatoes.

Alex at Super Dudes Power Squad puts this film in the context of all Star Trek films. 
Zach Oat at MovieFile reviews the movie.
Dana Stevens at Slate gives the movie good a good review.



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Watchmen  

Saturday, March 28, 2009

Watchmen Poster - Silk SpectreImage by Foenix via Flickr

Watchmen

2009, in theaters

You should know

I've read the book.  Chris, with whom I saw the movie, has not (at least, as of press time).

So?

First off, let me emphasize that this is not a kids' movie.  Yes, it was based on the graphic novel, but that's not a kids' books, either.  There is violence, sex, sexual violence, lots of murder, bad language, bad music, and a moral ambiguity that never takes a break.  If your 8-year-old can handle that, awesome.  If not, don't blame me; I warned you.  But it's rated R for a very good reason.  This is not one of those movies where they add the s-word to get a PG bumped up to a PG-13 and attract the 18-35 crowd.  This is a real, actual R movie.

OK, that's out of the way.

So, having said all that, I want to add that for the most part, I really did enjoy the movie. I never expected it to be exactly the same as the book.  For one thing, I was spoiled as to the ending.  For another, the book is long, and even with the movie as long as it is (162 minutes), something had to give.

I did find that having read the book filled in some blanks.  There were a few moments  that were a little unclear to Chris that made sense to me since I had the context.   So on the off chance you haven't heard already, the film takes place in a world where superheroes -- or, at least, costumed vigilantes -- are very real.  And illegal. Former heroes essentially have three paths they can take.  They can work for the government, like The Comedian.  They can flagrantly break the law, like Rorschach.  Or, they can retire, and either capitalize off their past, like Ozymandias, or just walk away from the whole thing, like Nite Owl.   But then, costumed heroes start turning up dead, leaving those who survive to face their demons and avenge their colleagues.

And by the way?  It's 1985 and the United States is counting down to nuclear war with the Soviet Union.

We open with a great montage that explains the alternate timeline we're dealing with, showing the heroes who have gone before; some are dead, others are retired.

As we proceed through the narrative line, we begin to fill in the blanks and learn more about the characters and what makes them tick.  Why is Silk Spectre so angry at her mother?  How did Dr. Manhattan gain superpowers (he's the only one who actually has them)?  What makes a hero?  What makes a villain?

I mentioned above that something had to give.  In the original text, much more attention is given to the backstories of the first generation of heroes.  This is not strictly necessary -- the opening scene really covers the major points -- but it does provide a lot of information.  Likewise, there is quote a bit more information about Ozymandias's post-hero activities -- he's a massively powerful businessman (it would not surprise me if it turned out he was a partial inspiration for David Xanatos).  Finally, there's a complex subplot invlving a man who runs an newsstand and a boy who buys comics there, which revolves around a comic within the comic (which is available on a direct-to-video DVD and will be a feature when the movie comes out on video).

Rating

See it unless...
You can't stand violence, or you have a small bladder.  Reference my paragraph above about the R-rating, and if that's not a deal-breaker, make sure you can handle sitting through a film that's almost 3 hours long.  If so, get going.

I do recommend reading the book first, but you can get away with no doing so.  If you come out of the movie less-than-impressed, though, seriously consider returning to the source material, rather than assuming that since the film didn't do it for you, the book can't.

The rest of the Internet

Beware of spoilers...
The real Doomsday Clock is currently set to 11:55 PM.  Interestingly, the real-life Doomsday Clock in 1985 was set closer to midnight than the one in Watchmen.
TelevisionWithoutPity's Moviefile writes about the world in which the movie takes place, and writes reviews both with and without spoilers, as part of its extensive coverage  of the movie.
Francesco Marciuliano at Francesco Explains it All was impressed by the movie, but didn't really enjoy it.
Dana Stevens at Slate explains what the big deal is.
Wil Wheaton waxes enthusiastic about the film.
A review at Selections From the Scrolls of the PlatinumWarlock notes that some of the more graphic scenes take things a touch too far.

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